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Love Is Strange with Marisa Tomei and John Lithgow.
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That’s not because these well-known actors cast a wide net, but because they are straight performers playing gay characters, something less threatening to those few stragglers on issues regarding homosexuality and, frankly, something more interesting to those who are not.Įven the characters’ professions are part of the “staging.” Ben (John Lithgow) is a fine landscape and portrait painter while George (Alfred Molina) is a choral choir instructor and piano teacher the latter loses his job at the private Catholic school after he and Ben marry. After all, there are several older gay actors who might have been tapped for either of these roles Ian McKellen and Derek Jacobi come immediately to mind.ĭirector and co-screenwriter Ira Sachs is a gay man in his late 40s who has made films about and featuring gay men (e.g., The Delta, 1996 Keep the Lights On, 2012) as well as the mainstream 2007 drama Married Life, starring Chris Cooper and Pierce Brosnan so, for Sachs, John Lithgow and Alfred Molina as a couple is a specific casting choice. That includes the casting of two older straight men as two older, bordering on elderly, gay men – in itself as specific a choice as casting choices can be. Effective artificeĮverything about Love Is Strange is “staged,” and wonderfully so.
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Ira Sachs’ movie is all that, in addition to being beautiful in every way that a film can be. Lastly, Love Is Strange is about a bit more: Joy, grief, family dynamics, youth culture, straight culture, gay culture. It’s also about the vicissitudes of our universal human condition, particularly those that force apart a newly married gay couple after 35 years of being publicly together (and of being loved for their public togetherness).īatsuit & Batmobile + Apes Trailer Proves Humans Not Only Dumb But Deadly Instead, it’s about being old and in love and gay.Īnd it’s about gay marriage. Love Is Strange isn’t just about being old and in love, which is plenty of fodder for a well-made film. I’m fairly sure most people – certainly those who’ve suffered from the many degradations of that “human condition” – will agree. Without hyperbole, I tell you that Love Is Strange is the stuff of Jean-Luc Godard ( Notre Musique and In Praise of Love), Vittorio De Sica ( Umberto D.), Woody Allen ( Crimes and Misdemeanors), and Ingmar Bergman’s reflection on the ironic circumstances we find ourselves in as we age (in his ever resonant Wild Strawberries).Ĭlearly, Bergman is a deeply planted influence on Sachs. I love what it has to say and I love that it’s something seldom said. But despite its willingness to gild the lily for the love of aesthetic, ethereal beauty in all its forms, Love Is Strange is also a film that reaches for the truth – the deepest truths of what we often call “the human condition.”įor all these reasons I love Ira Sachs’ movie as much as it wishes we would love each other. Love Is Strange is beautiful in every way that a film can be beautiful, and unabashedly so.